Thursday, January 1, 2015

In regards to being in love with an illusion...

I have been in love with an illusion for about forty years. Here is my beautiful illusion;

She is small in stature and confidence. She is wounded, yet determined. Her hair is chestnut and it smells like apples and cloves. Her skin is soft and olive in colour. Her bosom is large and comforting. Occasionally, she allows me to rest my tiny curly-blonde-hair- covered head upon her chest. She shines like the sun and she cries like the rain. She is an amazing hostess and an accomplished chef, bestowing upon me both of these gifts. My favorite line in literature to describe my beautiful illusion is, "She walks in beauty, like the night..." She has shared with me the music that currently fills my soul and my head. She taught me how to read. One of the greatest gifts she gave me, as it is still an escape from my cruel reality...words. The most important and difficult gift my magical illusion gave to me is empathy. For me, it wasn't natural. It was a learned behaviour, gained from watching her and her magnetism with strays and her devastation when she caused the death of another creature (she cried for two days after hitting a pheasant while driving down a country road). This empathy has perhaps saved me from true sociopathy, which has allowed me to make the connections I have needed to make to survive. And when I lost her, it was not her fault. She was sick and she did it FOR me. She loved me so much, she died for me. This is my beautiful illusion.
Experts in the field of personality disorders suggest that if one is in love with an illusion, there is most certainly something wrong with them. Suggesting that being in love with something that is not real is a personality disorder, requiring therapy, and dopamine enhancing drugs, and tools to move forward from this. In fact, some of them might suggest that this behaviour is in fact delusional. 
Allow me to define both;
 Illusion: A mirage, an apparition, semblance, a thing that is or is likely to be wrongly perceived or interpreted by the senses.
 Delusion: Misconception, misbelief, misapprehension, an idiosyncratic belief or  impression that is firmly maintained despite being contradicted by what is generally  accepted as reality or rational argument, typically a symptom of mental disorder.

Ah, an apparition, perceived, the senses. Perception is reality, and sensing my ghost my 
way has literally saved my life. How can seeing my memories the way I need to see them possibly be delusional? Seems to me that's quite the smart thing to do. If I saw my beautiful illusion for who she truly was, it would serve me no purpose. What does serve me purpose, however, is the gifts she gave me that I, in turn, have passed down to my own daughter.
As far as delusion goes, perhaps there is a very fine line between the two. I, however, am quite practiced at being in love with an illusion. As I said, I have been doing so for forty years. Where the illusion ends and the delusion begins is here; whether or not your illusion is past (an adjusted memory) or present (an adjusted reality), there are rules one must follow so as not to cross the lines and these rules are pretty much the same in both instances. Seeing things the way you want to is a privilege that cannot be abused. That would lead to addiction, and it is very easy to get addicted to an illusion, as it is there to make you feel better, a drug to ease the pain. Consume with great care. Your illusion is not there to provide you a living wage. It is not there to take you to dinner on Christmas eve. Your illusion is not there to bolster your self esteem. That is your job as you grow and learn. Your illusion is simply a wicked poison, a potion. That is all you can ever expect from your illusion. If your illusion is a living thing, and you are involved with them, you have to learn to separate the humanity one would expect from another person from this illusion. You have to remember that while they are a real breathing, thinking human being, they are not there to fill the needs we have from other humans. This is different. Your illusion is just as practiced at playing this role as you are at being in love with a fantasy. Your illusion will make  your dreams come true, as long as you understand that you are living in the moment. Ahh, you will hear the words you need to hear and you will be kissed and caressed and swept away. Because your illusion is a human being, you will have received the contact, the connection you desire, and if you know what you're doing, in terms of alluding addiction, then you are high for a week, or a month, or whatever, as time is irrelevant, and your hole, your void is filled, because that is what your illusion does best. It knows you, knows what you need. And that is what it is there for. The rules are very clear. For both of you.

While being in love with an illusion can be quite exhilarating, it is also a very lonely road. As I have lived in the shadow of my mother's suicide, I have been thought to be some sad waif whose mommy died. If people had just been decent to me in the years following her death, I would have been in a good place with my memories of her. Instead, however, I was ostracized for even remembering her. There were no photos of her in my home, or my attic, the idiot father threw them away. I was forbidden from mentioning her name and was most certainly dissuaded from having any good memories of her. "You're mother was crazy! I'm glad she's dead." It's no wonder I retreated to a fantasy existence. The more I loved my mother, the more I got back at those bastards who forbade me from thinking of her in the first place. And the more peace I found. When I expressed my particular thoughts in regards to my mother to other members of my family, they all tried to coddle me and explain their perception of her life and death. It was a lonely existence for me and I became my own best friend, surrounded by a circle of so-called imaginary friends with whom I have shared some of the most intimate conversations of my life. Funny, all of my imaginary friends, the memories I have of my mother and my incredibly deep well of creativity are still with me. All the other bullshit, the "real" bullshit, has fallen away. Maybe not so lonely, after all. Best advice: have friends that actually understand that these are the tools you use to navigate your life. There aren't too many of them out there, but they're worth keeping around because when you say something that only you usually understand and they really do, too, it is that moment of comfort those of us who live in an imaginary world  world that we seek in everything we do.

Maya Angelou said, "We are only as blind as we want to be." She is right, for those of us who CAN do this, see what we want to see and be content with that. I am very thankful for the ability to do this. It plays a very significant part of who I am. If I had to see everything I actually have seen, I'd be dead, just like my mother. Blissful ignorance is a very effective tool in the art of survival. It's better than using drugs and liquor to mask the fear of life people like me come to know. This tool has also allowed me to recognize the people I need around me to advance my agenda. Not everyone will indulge you in such a request. This I have learned having hardly ever met someone who would. You have to learn to do exactly the opposite of what the aforementioned experts will advise; you have to actually seek out and attract the kind of person who will tell you what you want to hear, share with you their coping skills, bring out in you a passion you have always longed to bring to the surface. They will be happy to know everything about you, just so they can use it to charm you, impress you, retain you. You are looking for someone who uses words, not actions. The actions come when you use your own cult of personality. How you attract someone like this is to express your sadness in your loss, appear sexy and shy and needy and confident all at the same time. Right now, you are bait, seeking to co-exist with your counterpart. I will tell you, I don't think these two types of personalities meet up very often. Being in love with an illusion usually defines someone who was ill-prepared and devastated by a sociopath. I love my illusion a great deal, for every single one of the reasons I have described above. I am certain he is a sociopath, a result of his life, something I understand clearly. But I am not a victim. I am doing the same thing to advance the illusion of my life. I continue to dance with him because I choose to continue the dance. The more comfortable my illusion is with my relation to him, the better it gets. It's what brings me to share these words on the first day of the year. My resolution is to get better at this game, not stop playing it because I keep getting sidelined with injuries. Any good player knows, you do what you gotta do to play the game. It isn't even always about winning. It's about the players.

A word of the wise to all you folks out there, be you professional or ley, it matters not. Don't overgeneralize your diagnosis, prognosis or cure. Every case is different. A plethora of people have told me I am doomed, thought me mad, institutionalization-able. They are all gone. My beautiful illusion is still here and while most people would think one player in this game over came his opponent and she still keeps coming back for more, because she hates herself (stop saying this, assholes. To me, you sound ignorant, and to me, your opinion is worthless and mostly unsolicited!) too much to find a man who treats her better. I get exactly what I want from my man and this has all been of my own grand design. Not his. Or perhaps he has his own grand design. Again, matters not. I have said no to him only once, and I regretted it, not because he made me (regret it). I just regretted it. To the point of my telling him not to ever let me say no to him again, which I sometimes forget, and he never fails to remind me, because prior to my plea, he would have let me say no. In fact, he said, "It's not my place to tell you to say 'yes'." The whole control thing, real hard for me to give away, but I know so well that he will make me feel alive again when I feel dead, I don't want the ability, the authority to say no.
And here is my current beautiful illusion; he is tall in stature and charisma. He is creative and smart, about the things I need him to be smart about, anyway. He is wounded, yet determined. He is young, in his heart and in his mind, which makes him reckless, making him as about as far from perfect as I am. His soul is as old as mine and while he knows me well enough to say what I want to hear, he also says things that remind me of that which we have in common, like our concurrent and adolescent study of mysticism. It's probably a result of our childhood experiences that had us hating "God" and seeking something bigger, elsewhere, but we both did this and I know this about him from facts, not words. And our both having dated bookies and married Latin-American people. Our mothers, our fathers, We have allot in common. I am momentarily comforted while in his presence. He whispers how wonderful I make him feel, as he pulls my hair and kisses me so fucking hard, nothing has ever compared to that intensity. I lack what he makes up for and vice verse. We are a perfect yin and yang. Allot of my illusion consists of some very heavy reality, but it's a reality easily forgotten for a moment in the arms of our distraction. He is sexy and charming and a lover of the arts and a college boy and dark and mysterious and strong and controlling and passionate and handsome and funny and shy and sensitive and protective and in spite of his sociopathic indifference, he cares. The way he knows how. He is also probably the one person on earth who doesn't hold "crazy' against me. He gets it. He inspires me to write, he is my muse and he is, for many reasons, the other half of me. Illusion or not, sure is nice when I reach out, in desperation, to ask him to shine that buoy light for me, in the middle of my darkness, lost at sea, he responds. Yeah, like it or not, neigh-sayers, there is more comfort in that than anything else I have actually found to comfort my loneliness. He's what I see all day. He's the voice in my head when I wanna veer off course and, perhaps indulge in another of my favorite addictive past-times. He's why I know so much about myself and he is the best drug I have ever done.

I'm not giving up my illusions for new year's. In fact, I'm resolving to investigate them even further...

Happy New Year!!!

Deannalynn Arzola







                                                               To my beautiful illusion...

                                                     "Mary Queen Of Arkansas"
                                                 words and music by Bruce Springsteen

Mary queen of Arkansas, it's not too early for dreamin' 
The sky is grown with cloud seed sown and a bastard's love can be redeeming 
Mary, my queen, your soft hulk is reviving 
No, you're not too late to desecrate, the servants are just rising 

Well, I'm just a lonely acrobat, the live wire is my trade 
I've been a shine boy for your acid brat and a wharf rat of your state 
Mary, my queen, your blows for freedom are missing 
You're not man enough for me to hate or woman enough for kissing 

The big top is for dreamers, we can take the circus all the way to the border 
And the gallows wait for martyrs whose papers are in order 
But I was not born to live to die, and you were not born for queenin' 
It's not to late to infiltrate, the servants are just leavin' 

Mary queen of Arkansas, your white skin is deceivin' 
You wake and wait to lie in bait and you almost got me believin' 
But on your bed, Mary, I can see the shadow of a noose 
I don't understand how you can hold me so tight and love me so damn loose 

But I know a place where we can go, Mary 
Where I can get a good job and start out all over again clean 
I got contacts deep in Mexico where the servants have been seen


There will be an overall increment in your wealth and this is an excellent time to work on financial planning and strategy. Expect sudden gifts/opportunities. Financial gains may come through a partner. You may see gains or improvement in the areas of shared finances, joint possessions, inheritance, loans and taxes. Now all of this may be too confusing and too out of control at times, but it will be fun and you’ll appreciate where you land up by the end of the year.
This is one of the most propitious phases as you can hear the wedding bells anytime. Unique combination of luck and love fills your life with vibrant colors. You will get to spend some good time with your lover or partner and this will get you some lifetime memories. Those who are already married will get unconditional support from their partners and you will experience new phase in your relationship. You bond with your partner will strengthen even more.
You will grow more specific regarding your whereabouts and with people with whom you socialize. You will feel more attached towards your friends and family. You will wish to consult your elders and seniors in your decisions and you will get complete support from them. A wise decision taken on right time is always fruitful and will help you in future. If you are planning to start with something new it is the best time to do so as any project started will get you great achievement in future.
It is likely that you will experience something unexpected in your love affair. All the temporary affairs will be left behind ad you might meet new interesting and unusual love partners. It is advised that you leave behind temporary partners. You move to a stable phase in your relationship and now you only believe in giving away in a relation without any expectations. You now no longer believe in social barriers such as caste and religion in a love relationship and you relation will see new heights.
Your personal equation with your work undergoes a transformation and you confront some mishaps and troubled conditions. Be cautious as people seem to be critical of your actions. Small steps taken now are the beginning of a great future. Success is the only thing that waits for you at the end of the lane. Go grab it!
You now ride the unicorn of joy and delight as all the worldly luxuries and pleasure is at your feet. Your revolutionary efforts push you to the center stage of name and fame now. Every situation is well managed and under control as you find the right cord and strike a cordial note. This is a perfect time for reconciling conflicts that existed and reuniting with loved ones. The rewards have already started coming in and they are truly amazing.
A Celtic Blessing...


May the light of your soul guide you. 
May the light of your soul bless the work that you do 
with the secret love and warmth of your heart. 
May you see in what you do the beauty of your own soul. 
May the sacredness of your work bring healing, light 
and renewal to those who work with you 
and to those who see and receive your work. 
May your work never weary you. 
May it release within you wellsprings of 
refreshment, inspiration and excitement. 
May you be present in what you do. 
May you never become lost in bland absences. 
May the day never burden. 
May dawn find you awake and alert, 
approaching your new day with dreams, possibilities and promises. 
May evening find you gracious and fulfilled. 
May you go into the night blessed, sheltered and protected. 
May your soul calm, console and renew you.
New Year's Eve
-by D. H. Lawrence
There are only two things now,
The great black night scooped out
And this fire-glow.

This fire-glow, the core,
And we the two ripe pips
That are held in store.

Listen, the darkness rings
As it circulates round our fire.
Take off your things.

Your shoulders, your bruised throat!
Your breasts, your nakedness!
This fiery coat!

As the darkness flickers and dips,
As the firelight falls and leaps
From your feet to your lips!


(from "Look! We Have Come Through!"- 1917)

Wednesday, December 31, 2014

An Excerpt from
“The Unnameable”
-by Samuel Beckett           

Enormous prison, like a hundred thousand cathedrals. Never anything else any more, from this time forth. And in it, somewhere, perhaps -  riveted, tiny -  the prisoner. How can he be found?

How false this space is!  What falseness instantly, to want to draw that round you, to want to put a being there! A cell would be plenty.
If I gave up! If only I could give up! Before beginning, before beginning again! (What breathlessness! That's right, ejaculations! That helps you on, that puts off the fatal hour. No? The reverse? I don't know.) Start again, in this immensity, this obscurity: go through the motions of starting again  - you who can't stir, you who never started. (You the who?) (Go through the motions? What motions? You can't stir.)
You launch your voice, it dies away in the vault. (It calls that a vault -  perhaps it's the abyss: those are words). It speaks of a prison (I've no objection), vast enough for a whole people, for me alone (or waiting for me). I'll go there now, I'll try and go there now.
I can't stir.
I'm there already! I must be there already! Perhaps I'm not alone: perhaps a whole people is here, and the voice its voice, coming to me fitfully. We would have lived, been free a moment. Now we talk about it, each one to himself (each one out loud for himself). And we listen.  A whole people, talking and listening, all together!  That would ex .....
No, I'm alone  (perhaps the first, or perhaps the last):  talking alone, listening alone, alone alone. The others are gone, they have been stilled  (their voices stilled, their listening stilled, one by one, at each new-coming). Another will come?  I won't be the last? I'll be with the others (I'll be as gone) in the silence? (It won't be I, it's not I.)

I'm not there yet. I'll go there now,  I'll try and go there now.
No use trying. I wait for my turn:  my turn to go there, my turn to talk there, my turn to listen there, my turn to wait there for my turn to go, to be as gone. (It's unending, it will be unending.) Gone where? Where do you go from there? You must go somewhere else, wait somewhere else, for your turn to go again, and so on (a whole people, or I alone). And come back? And begin again? No: go on, go on again. It's a circuit, a long circuit.  I know it well. (I must know it well.)
It's a lie. I can't stir. I haven't stirred. (I launch the voice? I hear a voice.) There is nowhere but here.  There are not two places, there are not two prisons. It's my parlour (it's a parlour!), where I wait for nothing. I don't know where it is, I don't know what it's like,  that's no business of mine. I don't know if it's big, or if it's small, or if it's closed, if it's open. (That's right, reiterate: that helps you on.)  Open on what? There is nothing else, only it. Open on the void, open on the nothing. (I've no objection: those are words.) Open on the silence, looking out on the silence, straight out - why not? All this time on the brink of silence,  I knew it! On a rock, lashed to  a rock, in the midst of silence. Its great swell rears towards me, I'm streaming with it. (It's an image: those are words.) It's a body, it's not I -  I knew it wouldn't be I. I'm not outside, I'm inside, I'm in something, I'm shut up:  the silence is outside. Nothing but this voice and the silence all round. No need of walls? Yes, we must have walls: I need walls, good and thick. I need a prison (I was right), for me alone. I'll go there now, I'll put me in it.

I'm there already: I'll start looking for me now, I'm there somewhere. It won't be I - no matter, I'll say it's I.  Perhaps it will be I. Perhaps that's all they're waiting for (there they are again) to give me quittance.  Waiting for me to say I'm someone, to say I'm somewhere, to put me out, into the silence.
I see nothing.  It's because there is nothing. Or it's because I have no eyes. Or both. (That makes three possibilities, to choose from.) But do I really see nothing? It's not the moment to tell a lie.  But how can you not tell a lie? What an idea!
A voice like this, who can check it?  It tries everything. It's blind, it seeks me blindly, in the dark. It seeks a mouth, to enter into. Who can query it? There is no other. You'd need a head? you'd need things? I don't know. I look too often as if I knew.  It's the voice does that:  it goes all knowing, to make me think I know, to make me think it's mine.
It has no interest in eyes. It says I have none, or that they are no use to me. Then it speaks of tears. Then it speaks of gleams.  It is truly at a loss. Gleams? Yes:  far or near. (Distances: you know, measurements.  Enough said?)  Gleams, as at dawn. Then dying, as at evening.  Or flaring up - they do that too:  blaze up more dazzling than snow, for a second (that's short!), then fizzle out.
That's true enough?  If you like: one forgets, I forget. I say I see nothing,  or I say it's all in my head (as if I felt a head on me!).  That's all hypotheses, lies. These gleams too: they were to save me, they were to devour me. That came to nothing. I see nothing (either because of this or else on account of that). And these images at which they watered me, like a camel, before the desert? I don't know. More lies, just for the fun of it? (Fun! What fun we've had!  What fun of it!) All lies? (That's soon said -  you must say soon, it's the regulations.)
The place. I'll make it all the same. I'll make it in my head, I'll draw it out of my memory, I'll gather it all about me. (I'll make myself a head, I'll make myself a memory.) I have only to listen: the voice will tell me everything (tell it to me again), everything I need - in dribs and drabs, breathless.

It's like a confession, a last confession. You think it's finished, then it starts off again: there were so many sins, the memory is so bad. The words don't come, the words fail, the breath fails.
No, it's something else.  It's an indictment, a dying voice accusing. (Accusing me: you must accuse someone, a culprit is indispensable.) It speaks of my sins, it speaks of my head. It says it's mine, it says that I repent, that I want to be punished, better than I am, that I want to go, give myself up (a victim is essential). I have only to listen. It will show me my hiding-place:  what it's like, where the door is (if there's a door), and whereabouts I am  in it. And what lies between us, how the land lies, what kind of country  (whether it's sea, or whether it's mountain). And the way to take, so that I may go, make my escape, give myself up, come to the place where the axe falls (without further ceremony) on all who come from here. (I'm not the first, I won't be the first.) It will best me in the end (it has bested better than me). It will tell me what to do, in order to rise, move, act like a body endowed with despair. (That's how I reason, that's how I hear myself reasoning.)
All lies: it's not me they're calling, not me they're talking about. It's not yet my turn, it's someone else's turn. That's why I can't stir, that's why I don't feel a body on me. I'm  not suffering enough to be able to stir, to have a body (complete with head, to be able to understand), to have eyes to light the way. I merely hear, without understanding, without being able to profit by it (by what I hear). To do what? To rise and go and be done with hearing.

I don't hear everything, that must be it, the important things escape me: it's not my turn. (The topographical and anatomical information in particular is lost on me.) No, I hear everything  (what difference does it make?), the moment  it's not my turn: my turn to understand, my turn to live, my turn of the life-screw (it calls that living!), the space of the way from here to the door. It's all there, in what I hear, somewhere -  if all has been said, all this long time. All must have been said. But it's not my turn to know what:  to know what I am, where I am, and what I should do to stop being it, to stop being there (that's coherent), so as to be another (no? the same? I don't know), depart into life, travel the road, find the door, find the axe (perhaps it's a cord) for the neck, for the throat, for the cords.  (Or fingers:  I'll have eyes, I'll see fingers.) It will be the silence.  (Perhaps it's a drop:  find the door, open the door, drop.  Into the silence.)
It won't be I. I'll stay here - or there (more likely there). It will never be I, that's all I know. It's been done already, said and said again:  the departure, the body that rises, the way (in colour), the arrival, the door that opens, closes again. It was never I. I've never stirred, I've listened.
I must have spoken?
Why deny it? Why not admit it, after all? (I deny nothing, I admit nothing.) I say what I hear? I hear what I say? I don't know. One or the other. Or both. (That makes three possibilities:  pick your fancy.)
All these stories about travellers, these stories about paralytics: all are mine. I must be extremely old (or it's memory playing tricks). If only I knew if I've lived, if I live, if I'll live - that would simplify everything! Impossible to find out, that's where you're buggered. I haven't stirred, that's all I know. (No, I know something else: it's not I - I always forget that.) I resume (you must resume):  never stirred from here, never stopped telling stories, to myself (hardly hearing them, hearing something else, listening for something else), wondering now and then where I got them from. Was I in the land of the living? Were they in mine? And where? Where do I store them? (In my head? I don't feel a head on me.) And what do I tell them with? With my mouth? (Same remark.) And what do I hear them with?
And so on, the old rigmarole. It can't be I. Or it's because I pay no heed:  it's such an old habit, I do it without heeding. Or as if I were somewhere else.
There I am far again, there I am absentee again: it's his turn now, he who neither speaks nor listens, who has neither body nor soul. It's something else he has:  he must have something, he must be somewhere. He is made of silence (there's a pretty analysis), he's in the silence. He's the one to be sought, the one to be, the one to be spoken of, the one to speak. But he can't speak: then I could stop, I'd be he, I'd be the silence, I'd be back in the silence, we'd be reunited, his story the story to be told.
But he has no story, he hasn't been in story? It's not certain:  he's in his own story, unimaginable, unspeakable. That doesn't matter: the attempt must be made, in the old stories incomprehensibly mine, to find his.  It must be there somewhere. It must have been mine, before being his. I'll recognize it, in the end I'll recognize it:  the story of the silence that he never left, that I should never have left, that I may never find again, that I may find again. Then it will be he, it will be I, it will be the place: the silence, the end, the beginning, the beginning again - how can I say it? That's all words, they're all I have - and not many of them: the words fail, the voice fails. So be it. I know that well. It will be the silence, full of murmurs, distant cries.  The usual silence, spent listening, spent waiting, waiting for the voice.
The cries abate, like all cries.  (That is to say they stop.) The murmurs cease, they give up. The voice begins again (it begins trying again). Quick now before there is none left, no voice left, nothing left but the core of murmurs, distant cries: quick now and try again, with the words that remain. Try what? (I don't know, I've forgotten, it doesn't matter, I never knew.) To have them carry me into my story, the words that remain?  (My old story, which I've forgotten, far from here.) Through the noise, through the door. Perhaps I'm at the door! (That would surprise me.) Perhaps it's I! Perhaps somewhere or other it was I! I can depart! All this time I've journeyed without knowing it: it's I now at the door. (What door? What's a door doing here?)

It's the last words, the true last.  Or it's the murmurs: the  murmurs are coming, I know that well. No, not even that. You talk of murmurs, distant cries, as long as you can talk. You talk of them before and you talk of them after. More lies: it will be the silence (the one that doesn't last) spent listening, spent waiting (for it to be broken, for the voice to break it). Perhaps there's no other, I don't know. It's not worth having, that's all I know. (It's not I, that's all I know.) It's not mine. It's the only one I ever had? That's a lie: I must have had the other, the one that lasts - but it didn't last. (I don't understand.) That is to say it did: it still lasts. I'm still in it. I left myself behind in it. I'm waiting for me there. (No, there you don't wait, you don't listen.)
I don't know: perhaps it's a dream, all a dream. (That would surprise me.) I'll wake, in the silence, and never sleep again. (It will be I?) Or dream (dream again), dream of a silence,  a dream silence, full of murmurs (I don't know, that's all words),  never wake (all words, there's nothing else).

You must go on, that's all I know.
They're going to stop, I know that well:  I can feel it.  They're going to abandon me. It will be the silence, for a moment (a good few moments). Or it will be mine? The lasting one, that didn't last, that still lasts?  It will be I?
You must go on.
I can't go on.
       
You must go on.
I'll go on. You must say words, as long as there are any - until they find me, until they say me. (Strange pain, strange sin!) You must go on. Perhaps it's done already. Perhaps they have said me already. Perhaps they have carried me to the threshold of my story, before the door that opens on my story. (That would surprise me, if it opens.)
It will be I? It will be the silence, where I am? I don't know, I'll never know: in the silence you don't know.
You must go on.
          
I can't go on.
I'll go on.